miércoles, 10 de septiembre de 2014

FABLE EXCERPT: FOREIGN PARTS




Or have you, like Ulysses, wandered o'er
the world, and visited its every shore,
noting the manners, customs, and the arts
that stamp the character of foreign parts?




I. Note the following expressions:
  • "the world's every shore"
  • "foreign parts"
Why would I feel inclined to put this excerpt in this blog?

 II. Compare the excerpt to the one below, which was previously featured on this blog:

Strange nations lived and spoke to her; and as she spoke to them she learned their language.

It features the expression
  • "Strange nations"
to be compared to the two highlighted above.

III. The theme of foreignness and being abroad pervades many posts in this blog. Can there be any reason for the comeuppance of this leitmotif? See below for motifs in her literary production:

  • foreignness/abroad
  • queer relationships
  • free love in general
  • equality
  • freethought
  • challenging authorities
  • "freakshow Romanticism" (itinerant life of entertainers)
  • warfare Romanticism
  • self vs. self
  • self vs. others
  • self vs. fate
  • learned characters, especially learned females
  • spirited females
  • critique of zealotry (religious, ideological)
  • critique of social issues around love life 
  • semi-urban (both courtly and military, sometimes industrial) settings, apart from wild nature
  • the fair folk
  • promises are sacred
  • eccentric and/or emotionally challenged characters
  • lieutenancy/lieutenants
  • most male heroes, in their teens, look girlish or eunuch-like (even military officers)
  • herstory
  • Andersenian POV/non-human characters (for instance, "The Eternal Return" on a plum blossom)
  • folktale motifs and plots
  • females in positions of power, often next to deceased or weak male partners
  • lead characters young, attractive, and of certain standing
  • injuries, illnesses, and the effects of drugs
  • the internal state of the characters (when unhealthy due to one of the causes above)
  • tragic death: often quick, painful, violent, and self-inflicted. In her first tales, reserved for the leads. 
  • chaotic, uncontrollable emotions 
  • overreactions
  • intertextuality
  • twists and turning points
  • the unexpected (in "The Countess of Toggenburg" [spoilers!], there is a happy ending as opposed to that of Shakespeare's tragedy, and the ending shows how this story became Othello through a "telephone game")


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